On the Art of Verbal Instruction by Dr Tyson Yunkaporta
Recently, a group of fourteen year old Koori students were interviewed at a TAI (The Aspiration Initiative) camp. TAI is an academic enrichment program for high-performing Indigenous students, and the interview was about effective pedagogy. The data collection technique was an unusual one that TAI refers to as “speed dating”, whereby small groups of students rotate through a series of adult facilitators who run brief “yarns” on a series of topics. Some of the results were very surprising indeed, with particularly strong responses around verbal instruction that will be of interest and benefit to all teachers.
Many of the responses were aligned with the best international research in Aboriginal pedagogy, focusing on group discussion, narrative, land-based learning, hands-on activity, balancing communal and individual tasks, visual learning and purposeful/contextualised learning. The big surprise came with assertions around a preference for verbal instruction – but only very specific kinds of verbal instruction.
In general, these Koori students stated that they usually fell asleep during verbal instruction, but that their favourite learning events occurred when interactive and dynamic teachers were delivering the same. “It’s not the talking; it’s the way of talking!” They asserted that passion and “interactivity” were the keys to successful verbal instruction. The teacher must be interested, passionate and excited about the topic, so that “you can tell they want to be there.” Their favourite learning experience was a lesson on grammar that was delivered by a passionate and dynamic instructor.
Delivery is the key – it must be fast paced (but not rushed in terms of content), action-packed and full of variety in terms of tone, volume and emotion. Movement was a significant factor. Contrary to orthodox practice, these students asserted a preference for teachers who moved around the room constantly. They also emphasised the importance of using exaggerated hand gestures and body language. Humour was also flagged as a key element of successful instruction – when the group is laughing, the group is learning. They stated a preference for instruction that responded to their input and interest, with the teacher being happy to change the structure of the delivery from one moment to the next.
The instructor must be prepared to both review and preview ideas, to jump forwards and backwards in the planned sequence. Students like to have an overview of the content, with the most important points flagged before and during delivery and the discussion built around these key points. The group should be encouraged to find their way through the topic, with the teacher co-navigating the learning sequence, making sure students are both collaboratively and individually making connections between the main ideas.
In addition to actively shaping the discussion and exploring ideas, the students also like to “have something to do to stop daydreaming”, which may involve taking notes or visually mapping ideas.
Above all, the subject matter must be interesting. The students expressed a unanimous disdain for presentation of plain facts – they asserted that “it has to have a meaning behind it.” For example, they found a session on iconography fascinating, whereas a regular English lesson explaining the elements of visual text analysis would be considered boring. They also demanded that content be grounded in documented, real-life events. There was a strong desire expressed for evidence and proof of knowledge. Proof must be demonstrated either through logic or practical testing (e.g. measuring students’ heart rates to